CANDICE GORDON
By Laura Garvey

Driven by her love of beautiful melody, Candice’s songs are soulful collections of jazz-inspired stories, beautifully told with poetic lyrics and a silky voice. 

Her story is more than a simple progression from bedroom performer to professional musician. As with many singers, Candice felt she was to become an artist from a very young age, but unlike many, her journey to that point is rich, varied and utterly intriguing. 

“When I was really little, we would drive across the deserts in Africa. We would spend days in the car just driving. I used to listen to these tapes of Paul Simon and Tracy Chapman. I learned all the words to their songs and would sing them over and over. That was when I decided I was going to be a musician.”

Spending her early years in Botswana with a South African mother and Namibian father, Candice and her family moved to Ireland in the late 80s. “Our visa had run out in Botswana, and we moved just before Nelson Mandela became president in South Africa. One of the reasons we chose Ireland was because my parents couldn’t face apartheid. That and my mother had some really romantic ideas about Irish life,” she says.

Though her parents weren’t musical, she feels that in their own way they are artistic, “My dad is very philosophical. I have my father’s brain in a sense. I go off on tangents and have a natural philosophical way of thinking”. Candice’s philosophising has lead to her mysterious, and at times strange, lyrics. “My mum is very different,” she admits. “She’s a microbiologist. My brother is now a scientist as well. If I weren’t a musician now, that’s what I would be doing too. Science is such a beautiful thing.”

At school, Candice had to choose between science and art, “By then I had made the decision to be a musician. Art was the logical route for me.” It may sound clichéd, and is often used as the go-to catchphrase of many aspiring artists, but in this case it is purely a matter of fact. She learned the guitar at age seven; throughout her teens she had her voice trained and by 12 years old, she had started busking. 

“I can’t remember being nervous back then,” she says. “Busking is the best way of tackling your nerves because it takes quite a lot of self-persuasion to stop in the middle of the street, take your guitar out and start singing while people walk by.” At 15 she had played her first all-ages gig at the Templebar Music Centre in Dublin, and even then her potential was evident, with offers of management rolling in straight after her performance. Now, slightly older and wiser to the world in which she works, Candice is soon to have her pick of management, booking agents and even record labels. 

After school, instead of immediately launching into a college course or job, Candice moved to Montpellier in the south of France. “I love the romanticism of the country, their view on things, their food, art and music,” she says. Candice had been living there for a year when she met a guy during a trip to Barcelona who loved Lindy Hop dancing as much as she did, “He convinced me to join a travelling circus with him”, she says. “I travelled from Montpellier to Croatia to meet up with the circus and that was when I found out he wasn’t a part of the group at all.” Undeterred, Candice stayed with the group for a couple of months, learning to juggle, playing guitar in their band and travelling by bike through Europe. 

When she returned to Dublin, she enrolled in a Communications and Sound Engineering course, “I wanted be wise to everything I might encounter as a musician. In one of my final years we had a class called Contemporary Media, I remember we had a presentation to give on a musical act. So I did it on myself. Don’t think it went down too well”, she laughs. Her experiences and nerve have brought her to where she is today as a performer – comfortable, aware and well-grounded. 

Last year Candice worked inexhaustibly on her first album, Before the Sunset Ends, with The Pogues frontman Shane McGowan as producer, she has learned hugely about how to bring her work together: “When I was working on my first first album, I had a lot of time. It was made up of songs that I’d written over a period of time, full of stories that I had been interested by at the time.” Old folk tales, stories of demons and the devil, which provided the subtext of many of her songs, were what had fascinated her most. 

Working alongside the infamous Pogues frontman was a result of him becoming a fan of Candice’s song writing after years of friendship. “I first met Shane when I was juggling in a nightclub in Dublin. He was there with Babyshambles and Kate Moss. My boss found me and told me that I had been requested in the VIP area.  When I finally got up there the whole place was empty except Shane and some other guy. They weren’t even watching me and couldn’t have cared less. After ten minutes I went to leave, but he called me over and we got chatting.” Candice told Shane about her plans to travel on the Trans-Siberian railway. She soon found herself booking hotels, flights and railway tickets for Shane and his crew. “it ended up falling apart for various reasons… But I went on tour with The Pogues in Japan. It was so surreal. It still is. We’ve all become such good friends over the years.” 

Candice is set to release her eagerly awaited first album in the coming months. However the hard working singer is already planning a second album drawing on her much-loved influences Screaming Jay Hawkins, The Cramps and Nina Simone, “I want to bring a concept to this second album to draw it together,” she says. “When I approach writing a song I bear in mind my love of coherent, poetic lyrics. I cannot write without there being a real reason for that song to exist.”

Without doubt Candice Gordon is set to succeed. She is an artist, a dedicated creator of beautiful melody and an imaginative lyricist – as she says herself: “I try to create an image and a story throughout each piece of music that I create. It has become my discipline.”
my mother had some really romantic ideas about irish life.
I cannot write without a real reason for the song to exist.
follow Candice on
Photography by Aidan O’Neill
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